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ASSEMBLY HALL RACHEL HAIR & RON JAPPYTake Scotland’s oldest instrument, add its newest session sidekick, swirl them through Glasgow’s music scene and out pops the harp and guitar duo Rachel Hair & Ron Jappy! With dazzling harp and driving guitar, they blend their love of Scottish tunes with their Highlands and North-East upbringing, resulting in crisp strathspeys, heartfelt airs and toe-tapping jigs and reels. Fresh from tours worldwide, they’re known for playful energy, musical chemistry, and stories that charm their audiences as much as the tunes.“A superb Highland Harper” BBC Radio 2“An electrifying duo” Fatea LAURA PERRUDINLaura Perrudin is a trailblazing harpist, singer-songwriter and composer-producer from Brittany, France. Trained in classical and jazz, her albums, blending soul, folk, electronica, jazz and experimental pop, have earned international acclaim. In this concert, as in her new album TEMPUS, she returns to the Celtic harp, which she plays and prepares using highly personal, unconventional techniques. Sponsored by the Glasgow Branch of the Clarsach Society
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MUSIC SCHOOL RED RORY MCGLIP AND THE FAIRY HARP (YOUNG PERFORMERS' CONCERT)The EIHF junior ensemble, consisting of young harpers from around the country, will perform a magical suite of newly created music based upon the tale of The Adventures of Red Rory McGlip and the Fairy Harp. The story will be told alongside the music by storyteller Heather Yule and the concert will feature a performance from Royal National Mòd prizewinner, Isla Ovenstone. Join us for this enchanting performance. Sponsored by The Royal Celtic Society and An Comunn Gàidhealach
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MUSIC SCHOOL The Galloway Agreement are an alternative string quintet based in South West Scotland, featuring Wendy Stewart (harp), Ruth Morris (nyckelharpa), Beth Porter (cello), Gavin Marwick (fiddle) and Stuart Macpherson (double bass). This combination produces a unique sound which the group love to explore through their own compositions, influenced by their varied musical backgrounds in folk, classical and jazz. Their concert will also feature music written for a theatre project with writer Tom Pow and Bird Theatre, Japan, which explores questions of rural depopulation through story, song and memory. Sponsored by Isle of Lewis Branch of the Clarsach Society
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ASSEMBLY HALL CATRIN FINCH & AOIFE NÍ BHRIAINOne of the world’s greatest harp players, Welsh harpist Catrin Finch has built an impressive classical career and ventured into unchartered musical territory, most notably through her award-winning collaborations with Seckou Keita and Cimarron. From across the Irish Sea, Dublin native Aoife Ní Bhriain is one of her generation’s most versatile and gifted violinists, a dazzling musician who commands both the classical world and her Irish traditional heritage. Together, Aoife and Catrin form a formidable virtuoso duo, eager to explore a musical world of creative possibility, challenge and discovery. JUANJO CORBALÁNJuanjo Corbalán is one of Paraguay’s leading harpists, known for bringing the traditional Paraguayan harp into contemporary dialogue with jazz and Latin American music. His quartet features Lara Barreto on alto and soprano saxophone, Víctor Álvarez on piano, and Seba Ramírez on drums and percussion, creating a distinctive sound that blends roots and innovation, tradition and improvisation. With tours across Europe and Latin America, and winner of the Dutch Harp Festival 2022, the group presents a repertoire of original compositions alongside new creations. Sponsored by London and South East Branch of the Clarsach SocietySponsored by David and Brenda LambSponsored by Camac HarpsSupported by Ard-Chonsalacht na hÉireann | Dún Éideann
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MUSIC SCHOOL KAREN MARSHALSAYKaren will present the Three Scottish Harps: the warm-sounding lever harp, the resonant wire-strung clarsach of the Gaels and the baroque era bray harp with its distinctive sitar-like buzz give the harp huge significance in the Scottish tradition. Karen Marshalsay is one of only a handful of harpers who specialises on all three instruments. With a playing style that is deeply connected to the piping tradition, she has won praise for both the purity of her phrasing and her ability to add character to a melody with decoration. Tunes and the stories behind them make Karen’s Three Scottish Harps an entertaining, informative experience. LAURA PENMANLaura Penman is a clarsach player, pianist and composer. She studied at the Royal Conservatoire of Scotland and graduated with a BMus Traditional Music in 2024. She was a finalist in the Young Traditional Musician of the Year Award 2025. She has been immersed in tradition and has explored other genres, and enjoys both accompanying other instrumentalists and performing as a soloist. Laura will showcase both her arrangements of traditional music and her own compositions. Supported by The United Kingdom Harp Association
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ASSEMBLY HALL AMY TURKAmy Turk is a multi-genre harpist, composer, arranger and session artist from Manchester. She is well known from her YouTube videos, where she has covered classical, pop, rock, film and video game music. In concert, Amy will present her story as a percussive harpist, emulating acoustic guitarists through her arrangements of pop and rock songs and her own compositions using percussion and extended effects. ELEANOR DUNSDON, WAN XING & GREGOR BLACKA journey of cross-cultural improvisation, Hong Kong-based Guzheng player, Wan Xing, teams up with harpist, Eleanor Dunsdon, and percussionist/bodhrán player, Gregor Black, combining their distinct musical backgrounds to create a unique new sound. The trio met in Boston, Massachusetts, in 2023, during the Silkroad Ensemble's Global Musician Workshop. They performed at the Edinburgh Fringe in 2025, premiering their debut album, ‘Waves of Tradition’. Exploring the trio’s Chinese-Scottish crossover, their programme highlights the relationships between these instruments and cultures, as well as featuring the premiere of a new commission for the trio by internationally acclaimed harpist and composer, Maeve Gilchrist. Supported by Pilgrim Harps
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MUSIC SCHOOL MARIANNE GUBRI Marianne Gubri, settled in Italy since 2002 and originally from Brittany, takes the audience on an immersive journey through the harmony of the cosmos. Blending ancient scales, celestial imagery, and ethereal soundscapes, her performance intertwines harp and subtle electronic layers to evoke the Music of the Spheres — the timeless vibration linking stars, nature, and the human soul. A meditative and inspiring concert where art, science, and spirituality resonate in perfect harmony. ANNA MCLUCKIE Anna is a Scottish singer, songwriter and clarsach player. Raised on classical and traditional music at the City of Edinburgh Music School, she studied Popular Music at The Royal Northern College of Music. Musically she sits in a world of contemporary folklore, her songs layered with interweaving harmonies, story-led lyricism and free-form structures. Many will have first seen Anna on BBC’s The Voice in 2014. Now based in London, she has performed across the globe, and her first full length album The Little Winters is set to be released in April 2026. Sponsored by David and Brenda LambSupported by Instituto Italiano di Cultura Edimburgo
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ASSEMBLY HALL Hands in Harmony: Moods and Memories Students attending the Festival join with ensembles from several Branches of The Clarsach Society to form our Festival Orchestra. Together they will perform music specially arranged and directed by Isobel Mieras, Rosemary McKerchar and Wendy Stewart, interspersed with performances from each Branch ensemble. Many harps and hands will sing together to weave a colourful and varied tapestry of music, celebrating the skills, friendship, joy, and generosity of making music together. Find out how to be part of the Festival Orchestra at Course T30. Sponsored by Jack Hayward Insurance
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ASSEMBLY HALL PARK STICKNEY Park, who splits his time between New York and Switzerland, has been a regular at the EIHF since the early years. His unique brand of inspiring ideas and humour appeals to all. In his own words…Really, a lot of harp-playing. Maybe too much. Probably (certainly) also some pithy anecdotes. Again, perhaps too many. Or...or maybe just the right amount? Let's discuss afterwards. As last year, some special guests will send us on our happy way with unexpected collaborations and a bit of fun! Sponsored by the Edinburgh branch of the Clarsach Society
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Access to all concerts* at EIHF 2026 Experience an ear-tingling array of top-class harp music for one, simple price. Full price - £115Concession - £100Under 18s - £60 Line-up to include: Amy Turk / Anna McLuckie / Catrin Finch & Aoife Ní Bhriain / Eleanor Dunsdon & Gregor Black with Wan Xing / Hands in Harmony / Juanjo Corbalán Quartet / Karen Marshalsay / Laura Penman / Laura Perrudin / Marianne Gubri / Park Stickney / Rachel Hair & Ron Jappy / The EIHF Junior Ensemble / Wendy Stewart & The Galloway Agreement *Does not include the Ceilidh [D01] Available for a limited time only, so book without delay!
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CHILD BEGINNERS4 DAY COURSE: Sat / Sun / Mon / Tue 9.00-10.00TUTOR: Laura PenmanRead more about Laura here.Come and learn to play the clarsach in a relaxed and supportive environment. We will have lots of fun learning some simple tunes and even some songs you might recognise, while playing lots of musical games and building a foundation in basic technique. No previous experience is needed.For venue accessibility information click here.
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ADULT BEGINNERS4 DAY COURSE: Sat / Sun / Mon / Tue 13.00-14.30TUTOR: Jennifer PortTEACHING METHOD - M + E: Written music will be provided from the start, but teaching will by sympathetic to all levels of reading/assimilating musicRead more about Jennifer here.Are you ready to start your harp-learning journey? Through simple tunes and exercises, this class will introduce the first steps in learning to play the harp in a friendly and supportive environment.For venue accessibility information click here.
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POST BEGINNERS4 DAY COURSE: Sat / Sun / Mon / Tue 13.00-14.30TUTOR: Heather YuleTEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Heather here.This course is perfect for those who attended last year’s beginner’s course or have been playing for a short time. Heather will help you take the next steps, improving and reinforcing good technique, and learning new pieces, to help you become more comfortable and confident on the harp.For venue accessibility information click here.
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POST BEGINNERS WIRE HARP4 DAY COURSE: Sat / Sun / Mon / Tue 13.00 - 14.30TUTOR: Bill Taylor LEVEL: POST BEGINNERS (see brochure p25 for explanation)TEACHING METHOD - M+E: Written music will be provided from the start, but teaching will be sympathetic to all levels of reading/assimilating music.Read more about Bill here.New players of the wire-strung clarsach are very welcome to join this course. Using both historical and traditional pieces, we will reinforce basics and explore damping techniques that allow the music to shine, without the clutter of excessively ringing strings. All sizes of harps can be used, and it’s helpful to have fingernails at least 2 mm long. As we interpret the pieces, we will learn how to play cleanly, and how to release harmony from melody. Additionally, we will explore playing crisp decorations found in historical sources, and making interesting accompaniments.For venue accessibility information click here.
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PRIMARY AGE: FRIENDS, FUN AND FOLK4 DAY COURSE: Sat / Sun / Mon / Tue 13.00 - 14.30TUTOR: Elinor EvansLEVEL: Elementary (see brochure p25 for explanation) TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Elinor here.Who doesn't enjoy playing the harp, making friends and having fun? This course focuses on exploring tunes, adding interesting riffs and unusual harmonies. We will also look at writing our own tunes and play musical games. You will go home ready to entertain your family with a whole new repertoire. This course is for children of primary school age (up to approximately age 11).For venue accessibility information click here.
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TO BEGIN AT THE BEGINNING!4 DAY COURSE: Sat / Sun / Mon / Tue 16.30-18.00 ON ZOOMTUTOR: Wendy StewartLEVEL: Elementary (see brochure p25 for explanation) TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Wendy here.Simple, beautiful Scottish tunes, taught slowly and carefully to make heart and harp sing. Nearly 60 years ago, Wendy started her harping journey, through The Clàrsach Society in Edinburgh, with her wonderful teacher Jean Campbell who shaped Wendy’s music and style of teaching immeasurably. In this course we will explore some pieces from Jean’s arrangements in the iconic Clàrsach Society Folio 1, plus others from Wendy’s early years!Our system will automatically email you your course pack (with sheet music and zoom codes) 24 hours before your course begins. If you experience problems with this please email office@harpfestival.co.uk. Please remember that Edinburgh (in April) will be on British Summer Time/BST (1 hour behind central Europe and 5 hours ahead of Eastern Time)
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SCOTTISH TUNES4 DAY COURSE: Sat / Sun / Mon / Tue 16.30-18.00TUTOR: Stephanie HumphreysLEVEL: Elementary (see brochure p25 for explanation) TEACHING METHOD - M+E: Written music will be provided from the start, but teaching will be sympathetic to all levels of reading/assimilating music.Read more about Stephanie here.This course offers a supportive and gentle approach for fledgling harp players who want to take flight. From slow airs to lively jigs, we will explore a range of beautiful Scottish tunes while falling in love with Scotland’s traditional instrument.For venue accessibility information click here.
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ENGLISH FOLK TUNES OLD AND NEW4 DAY COURSE: Sat / Sun / Mon / Tue 9.00 - 10.30TUTOR: Eleanor DunsdonLEVEL: Elementary/Intermediate (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will be initially by ear with written music given out during or at the end of each session.Read more about Eleanor here.Expand your repertoire by exploring a selection of tunes from across England and particularly the South East, where Eleanor grew up. We will explore how traditional instruments such as the English melodeon and Northumbrian pipes have contributed to and characterised English music. We will also learn some contemporary tunes written by modern English folk musicians, who have been integral to the continuation of a living tradition.For venue accessibility information click here.
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ROOTED & READY: WARM-UPS FOR REAL PROGRESS4 DAY COURSE: Sat / Sun / Mon / Tue 9.00 - 10.30TUTOR: Heather DownieLEVEL: Elementary/Intermediate (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Heather here.Do you feel like your tune folder is growing faster than your technique? Do you long to play beautifully, but your hands haven’t quite caught up? This course will give your technique the foundation it needs to support everything you want to play. Each day, you will build a well-rounded warm-up, focusing on the what, the why, and the how of solid harp playing. You’ll learn to spot the technical skills hidden in the music you love and to practise them in ways that truly move you forward.For venue accessibility information click here.
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INTRODUCTION TO JAZZ4 DAY COURSE: Sat / Sun / Mon / Tue 13.00 - 14.30TUTOR: Park StickneyLEVEL: Elementary/Intermediate (see brochure p25 for explanation)TEACHING METHOD - M+E: Written music will be provided from the start, but teaching will be sympathetic to all levels of reading/assimilating music.Read more about Park here.Are you interested in exploring jazz? Come and learn from the jazz harp master himself! Under Park’s watchful eye, you will learn to play some jazz standards, explore chords, improvise, play pedal/lever slides and other hijinks! Both pedal and lever harps are welcome.For venue accessibility information click here.
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THE HARP WITHIN THE LEGENDS4 DAY COURSE: Sat / Sun / Mon / Tue 16.30-18.00 ON ZOOMTUTOR: Heather YuleLEVEL: Elementary/Intermediate (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Heather here.Throughout history, and throughout the world, musicians and their music have been intertwined with the spoken word. This course will look at some of the stories that feature harpers, pipers, fiddlers and other musical traditions. Come and explore how to use the harp to vividly illustrate the narrative with the appropriate melodies and techniques.Our system will automatically email you your course pack (with sheet music and zoom codes) 24 hours before your course begins. If you experience problems with this please email office@harpfestival.co.uk. Please remember that Edinburgh (in April) will be on British Summer Time/BST (1 hour behind central Europe and 5 hours ahead of Eastern Time)
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HARP & SONGS4 DAY COURSE: Sat / Sun / Mon / Tue 16.30-18.00TUTOR: Corrina HewatLEVEL: Elementary/Intermediate (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Corrina here.Join Corrina to learn a selection of Scottish songs which work well both as harp arrangements or as pieces sung with harp accompaniment. There is no need to be a singer — the focus is on learning and expanding your repertoire, while understanding a little more of Scottish history through stories told through song. We will also work on finding the right key and what difference that can make, should you want to sing it. This will be a gentle class, taught aurally with melody and words provided.For venue accessibility information click here.
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HARP FRIENDLY DANCE SETS4 DAY COURSE: Sat / Sun / Mon / Tue 9.00 - 10.30TUTOR: Wendy StewartLEVEL: Intermediate (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Wendy here.You know when you want to play some slightly faster tunes and/or chords for a bit of dancing or even just a toe-tapping session? The fiddlers may be able to jump around keys and play at breakneck speed, but it’s a wee bit harder on lever harps. This is a course featuring sets of Scottish jigs, marches, strathspeys and waltzes that work well together and flow under our fingers. Wendy has chosen and arranged the individual sets carefully using keys, modes and chord charts to make an upbeat addition to your repertoire!For venue accessibility information click here.
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POP CHORD PROGRESSIONS AND IMPROVISATIONS4 DAY COURSE: Sat / Sun / Mon / Tue 9.00 - 10.30TUTOR: Amy TurkLEVEL: Intermediate (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Amy here.Get acquainted with the building blocks of your favourite pop songs with this introduction to popular chord progressions. You will have the opportunity to explore the theory behind the chords, and learn how they can be combined and used to evoke different feelings and emotions. Participants will also be able to try out different chord voicings and complimentary scales, modes and patterns for improvisation – no prior improvising experience is required!For venue accessibility information click here.
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SCOTTISH SLOW AIRS4 DAY COURSE: Sat / Sun / Mon / Tue 16.30 - 18.00TUTOR: Jennifer PortLEVEL: Intermediate (see brochure p25 for explanation)TEACHING METHOD - M+E: Written music will be provided from the start, but teaching will be sympathetic to all levels of reading/assimilating music.Read more about Jennifer here.Aren’t slow airs just magical on the harp? In this course, you’ll expand your repertoire with beautiful, expressive slow airs from across Scotland’s rich musical landscape. Enjoy the quiet pleasure of playing these timeless melodies as Jennifer guides you through thoughtful arrangements that let your harp truly sing, capturing the gentle, evocative atmosphere that slow airs are known for.For venue accessibility information click here.
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THE MUSIC OF ROBERT BURNS4 DAY COURSE: Sat / Sun / Mon / Tue 16.30 - 18.00 ON ZOOMTUTOR: Karen MarshalsayLEVEL: Intermediate (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Karen here.Scotland’s most celebrated poet, himself a fiddler, was also an important part of 18th c. music publishing, collecting and contributing to both Johnson’s Scots Musical Museum and Thomson’s Select Collection of Original Scottish Airs. Burns had a feel for a great tune and gathered them from both Highland and Lowland sources. Growing up in Ayrshire, Burns was an early influence for Karen. In this course she will guide you through some instrumental versions of his well-known and less familiar works, helping you to expand your repertoire with tunes that are not just for Burns Nights!Our system will automatically email you your course pack (with sheet music and zoom codes) 24 hours before your course begins. If you experience problems with this please email office@harpfestival.co.uk. Please remember that Edinburgh (in April) will be on British Summer Time/BST (1 hour behind central Europe and 5 hours ahead of Eastern Time)
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SCOTTISH MIX4 DAY COURSE: Sat / Sun / Mon / Tue 13.00 - 14.30TUTOR: Corrina HewatLEVEL: Intermediate/Advanced (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Corrina here.A marvellous selection of great tunes to get your fingers moving! Each day you will tackle a different style of tune and a different decoration to add to your repertoire. Music will be available to take away at the end of each session with the fingering and chords marked. Corrina recommends bringing a recording device to capture the ‘feel’ of the tunes.For venue accessibility information click here.
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BEYOND THE STRINGS4 DAY COURSE: Sat / Sun / Mon / Tue 9.00-10.30TUTOR: Laura PerrudinLEVEL: Intermediate/Advanced (see brochure p25 for explanation)TEACHING METHOD - E: Teaching will be mainly by ear.Read more about Laura here.Explore the lever harp in a fully hands-on way that goes far beyond just playing tunes. Using objects and unconventional techniques, Laura will help you discover surprising sounds and new possibilities hidden within our instrument. Guided exercises will encourage you to experiment with textures, rhythms, and effects, helping you develop an intuitive approach. No sheet music required, just curiosity and pure imagination!For venue accessibility information click here.
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GROOVE IS IN THE HARP4 DAY COURSE: Sat / Sun / Mon / Tue 13.00 - 14.30TUTOR: Eleanor DunsdonLEVEL: Intermediate/Advanced (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will be mainly by ear.Read more about Eleanor here.A harpist’s guide to groove! You will build a toolkit of tricks and ideas for playing and arranging, working on feel and finding your own groove. You will explore ways to bring more life and drive to your playing, whether you are accompanying others or performing solo, by developing your own riffs and left-hand lines, building confidence in improvisation, and learning to lock in with the rhythm section.For venue accessibility information click here.
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JAZZ3 DAY COURSE: Sun / Mon / Tue 9.00 - 10.30TUTOR: Park StickneyLEVEL: Intermediate/Advanced (see brochure p25 for explanation)TEACHING METHOD - M+E: Written music will be provided from the start, but teaching will be sympathetic to all levels of reading/assimilating music.Read more about Park here.So you're convinced. You're already playing some jazz (or are up for a challenge) but you want to learn more. Come and join Park to explore standards, chords, improvisation, some light theory, pedal/lever slides, and, of course, hijinks! Both lever and pedal harps welcome.This course will run on Sunday, Monday, and Tuesday.For venue accessibility information click here.
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BUILD A POP SONG4 DAY COURSE: Sat / Sun / Mon / Tue 13.00 - 14.30TUTOR: Amy TurkLEVEL: Intermediate/Advanced (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will be initially by ear with written music given out during or at the end of each session.Read more about Amy here.Keen to play pop songs, but don’t know where to start? Learn the principles of pop in this fun-filled course where participants will be guided to create a pop arrangement from the ground up! The course will explore the elements and characteristics of pop songs, how to listen and understand what you’re hearing, and how to interpret and play pop effectively on the harp. At the end of the course, participants will have created a full ensemble arrangement that they’ll be able to perform together.For venue accessibility information click here.
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CELTIC COUSINS4 DAY COURSE: Sat / Sun / Mon / Tue 9.00 - 10.30TUTOR: Rachel HairLEVEL: Intermediate/Advanced (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will be initially by ear with written music given out during or at the end of each session.Read more about Rachel here.Join Rachel for a musical adventure as she whisks you off to visit four of our Celtic Cousins - Ireland, the Isle of Man, Wales and Brittany. Each day you will learn a tune, starting first with the melody, before sprinkling in some left-hand magic! Along the way, you will hear the tales behind the music and discover how the harp weaves itself into each country’s culture. Come ready for fun, curiosity, and a suitcase full of fantastic new tunes!For venue accessibility information click here.
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IMPROVISATION4 DAY COURSE: Sat / Sun / Mon / Tue 16.30 - 18.00TUTOR: Park StickneyLEVEL: Intermediate/Advanced (see brochure p25 for explanation)TEACHING METHOD - M+E: Written music will be provided from the start, but teaching will be sympathetic to all levels of reading/assimilating music.Read more about Park here.Are you in the mood to go creatively off-road? Then this course is for you. It’s just the ticket for those who want to play jazz harp but want to spend more playing and less time talking about chords and theory. You will also break into small groups, to give everyone room to stretch out. Both lever and pedal harps welcome.For venue accessibility information click here.
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HEALING HARP4 DAY COURSE: Sat / Sun / Mon / Tue 16.30 - 18.00TUTOR: Marianne GubriLEVEL: Mixed Ability (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Marianne here.Marianne is a leading voice in the world of harp therapy, so join her and create dreamy and poetic soundscapes using drones, natural sounds, bowls, bells and voice through mantras and humming. You will explore imaginative, relaxing and expressive practices, going beyond traditional techniques and structures of harp-playing. This course is ideal for those who wish to bring the harp into meditative and holistic/therapeutic environments or yoga sessions.For venue accessibility information click here.
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GET SET FOR SESSIONS!4 DAY COURSE: Sat / Sun / Mon / Tue 13.00 - 14.30TUTOR: Neil WoodLEVEL: Mixed Ability (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Neil here.Have you ever wanted to play in a traditional session, or taken your harp to a session and felt lost? Unlock the joy of playing in a session with this course which will cover all aspects of session-playing including session etiquette, finding the key, dual-handed accompaniment, backing tunes you don’t know and leading a set. After class, participants are welcome to try out their new skills in the EIHF evening and slow lunchtime sessions.For venue accessibility information click here.
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EXPLORING MODES4 DAY COURSE: Sat / Sun / Mon / Tue 9.00-10.30TUTOR: Marianne GubriLEVEL: Mixed Ability (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Marianne here.In this playful and accessible course, Marianne will guide you in exploring Greek, medieval and oriental therapeutic modes. Using improvisational and pattern-based techniques, you will learn how to compose spontaneously and create free-flowing music for hours, and experience true freedom from notation.For venue accessibility information click here.
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THE HARP ARRANGER'S TOOLKIT4 DAY COURSE: Sat / Sun / Mon / Tue 9.00-10.30TUTOR: Ailie RobertsonLEVEL: Mixed Ability (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Ailie here.Using a methodical, step-by-step approach, Ailie will help you discover chord choices, ostinatos, intros, interludes and much more to send you on your own distinctive path of creating unique and effective arrangements.For venue accessibility information click here.
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SONG WRITING AND ARRANGING4 DAY COURSE: Sat / Sun / Mon / Tue 13.00 - 14.30TUTOR: Laura PerrudinLEVEL: Mixed Ability (see brochure p25 for explanation)TEACHING METHOD - E: Teaching will be by earRead more about Laura here.Laura will guide you through the full songwriting process, shaping lyrics, crafting musical ideas and developing harp arrangements, without using written music. Through brainstorming and creative experimentation, you will discover intuitive techniques to compose and arrange in ways that spark new ideas. This course encourages you to develop your artistic voice and build confidence in creating music. Come ready to experiment, and leave with new material to grow beyond the course. Suitable for all levels except complete beginners.For venue accessibility information click here.
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WIRE TUNES FROM THE PATRICK MCDONALD COLLECTION4 DAY COURSE: Sat / Sun / Mon / Tue 9.00 - 10.30TUTOR: Karen MarshalsayLEVEL: Mixed Ability (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Karen here.Many of the tunes in this important 1784 collection of Highland airs sit wonderfully well on the wire-strung clarsach and this course will explore several of them. You will look at the challenges involved in taking them off the page and onto the strings, along with techniques and ideas to help you create flowing interpretations in the Gaelic idiom.For venue accessibility information click here.
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FESTIVAL ORCHESTRA4 DAY COURSE: Sat / Sun / Mon / Tue 13.00 - 14.30TUTOR: Isobel Mieras, Rosemary McKerchar, Wendy StewartLEVEL: Mixed Ability (see brochure p25 for explanation)TEACHING METHOD - M+E: Written music will be provided from the start, but teaching will be sympathetic to all levels of reading/assimilating music.Read more about the tutors here.Students are invited to rehearse and perform pieces specially arranged by Isobel Mieras, Rosemary McKerchar and Wendy Stewart in our Tuesday afternoon concert, Hands in Harmony. The music, which will be emailed to you for downloading after booking, will have parts to suit all abilities. This is your chance to work with three skilled arrangers and teachers and to experience the challenge, and fun, of rehearsing and refining ensemble music to bring it to performance level.- Participants will be emailed music for this course following booking. Please be aware that this will not be immediate. For venue accessibility information click here.
George Watson's College Courses
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A SCOTTISH MUSICAL TAPESTRY weekend courseTHIS COURSE IS DELIVERED OVER FOUR SESSIONS: Sat 9.00 - 10.30 | Sat 13.00 - 14.30 Sun 9.00 - 10.30 | Sun 13.00 - 14.30TUTOR: Cheyenne BrownLEVEL: Elementary/Intermediate (see brochure p25 for explanation)TEACHING METHOD: E+M - Teaching will be by ear initially with written music given out during the session.Read more about Cheyenne here.A varied selection of tunes from the vast musical tapestry of Scotland. We'll enjoy both traditional and modern compositions at a relaxed pace. The tunes will be specially chosen with memorable phrases and accessible fingering. We'll do lots of repetition of phrases and concentrate on finger patterns and placing to help secure the tunes into your muscle memory.For venue accessibility information click here.
George Watson's College Courses
GWC Classroom Space
PEDAL HARP: PERFORMANCE, TECHNIQUE AND MUSIC weekend courseTHIS COURSE IS DELIVERED OVER FOUR SESSIONS: Sat 9.00 - 10.30 | Sat 13.00 - 14.30 Sun 9.00 - 10.30 | Sun 13.00 - 14.30TUTOR: Catrin FinchLEVEL: Intermediate/Advanced (see brochure p25 for explanation)TEACHING METHOD - M+E: Written music will be provided from the start, but teaching will be sympathetic to all levels of reading/assimilating music.Read more about Catrin here.A rare chance to learn with internationally acclaimed harpist, Catrin Finch. Open to pedal harp players, this course invites participants to bring one or two prepared pieces for focused guidance. Catrin will also lead the group in sessions on technical exercises and musical interpretation, for which no additional music will be required. Expect to leave motivated, enriched, and truly inspired.For venue accessibility information click here.
George Watson's College Courses
GWC Classroom Space
WIRE HARPTIME: Sat 16.30 - 18.00TUTOR: Bill TaylorLEVEL: Come & Try - No experience requiredRead more about Bill here.An opportunity to try out the beautifully resonant wire-strung clarsach. While these were properly played with fingernails at least 2mm long, that’s not necessary for this taster class. The technique we use is often called playing “in the stopped style”, where the finger pads damp certain strings to stop excessive ringing, and allow us to hear a clear line for the melody, the decoration, or both. Play a few simple tunes, touch on its history and feel free to ask questions. A limited number of wire-strung clarsachs are available.For venue accessibility information click here.
George Watson's College Courses
GWC Classroom Space
WIRE HARPTIME: Sun 16.30 - 18.00TUTOR: Bill TaylorLEVEL: Come & Try - No experience requiredRead more about Bill here.An opportunity to try out the beautifully resonant wire-strung clarsach. While these were properly played with fingernails at least 2mm long, that’s not necessary for this taster class. The technique we use is often called playing “in the stopped style”, where the finger pads damp certain strings to stop excessive ringing, and allow us to hear a clear line for the melody, the decoration, or both. Play a few simple tunes, touch on its history and feel free to ask questions. A limited number of wire-strung clarsachs are available.For venue accessibility information click here.
George Watson's College Courses
GWC Classroom Space
WIRE HARPTIME: Mon 9.00 - 10.30TUTOR: Bill TaylorLEVEL: Come & Try - No experience requiredRead more about Bill here.An opportunity to try out the beautifully resonant wire-strung clarsach. While these were properly played with fingernails at least 2mm long, that’s not necessary for this taster class. The technique we use is often called playing “in the stopped style”, where the finger pads damp certain strings to stop excessive ringing, and allow us to hear a clear line for the melody, the decoration, or both. Play a few simple tunes, touch on its history and feel free to ask questions. A limited number of wire-strung clarsachs are available.For venue accessibility information click here.
George Watson's College Courses
GWC Classroom Space
BODHRANTIME: Sat 13.00 - 14.30TUTOR: Gregor BlackLEVEL: Come & Try - No experience requiredRead more about Gregor here.A brilliant opportunity to learn the basics of bodhran-playing for anyone enthusiastic about rhythm and groove. A limited number of bodhrans may be available by contacting the office or bring your own.For venue accessibility information click here.
George Watson's College Courses
GWC Classroom Space
BODHRANTIME: Tue 16.30 - 18.00TUTOR: Gregor BlackLEVEL: Come & Try - No experience requiredRead more about Gregor here.A brilliant opportunity to learn the basics of bodhran-playing for anyone enthusiastic about rhythm and groove. A limited number of bodhrans may be available by contacting the office or bring your own.For venue accessibility information click here.
George Watson's College Courses
GWC Classroom Space
UKULELETIME: Sun 13.00 - 14.30TUTOR: Kathy Stewart KennedyLEVEL: Come & Try - No experience requiredRead more about Kathy here.Come and try the ukulele and enjoy the many benefits of playing this instrument. It's fun, builds confidence, reduces stress, is portable and affordable! Learn simple chords and strums in a relaxed and safe space - no experience is necessary, and you will soon find out why there are over 200 uke groups in the UK! Time to bring that uke which has been collecting dust in your closet or come and try the ukes provided. No experience is necessary.For venue accessibility information click here.
George Watson's College Courses
GWC Classroom Space
UKULELETIME: Sun 16.30 - 18.00TUTOR: Kathy Stewart KennedyLEVEL: Come & Try - No experience requiredRead more about Kathy here.Come and try the ukulele and enjoy the many benefits of playing this instrument. It's fun, builds confidence, reduces stress, is portable and affordable! Learn simple chords and strums in a relaxed and safe space - no experience is necessary, and you will soon find out why there are over 200 uke groups in the UK! Time to bring that uke which has been collecting dust in your closet or come and try the ukes provided. No experience is necessary.For venue accessibility information click here.
George Watson's College Courses
GWC Classroom Space
GAELICTIME: Sat 16.30 - 17.30TUTOR: Màiri MacleodLEVEL: Come & Try - No experience requiredRead more about Màiri here.Learn basic vocabulary and simple phrases to use around the EIHF and in other scenarios.For venue accessibility information click here.
George Watson's College Courses
GWC Classroom Space
GAELICTIME: Mon 13.00 - 14.00TUTOR: Màiri MacleodLEVEL: Come & Try - No experience requiredRead more about Màiri here.Learn basic vocabulary and simple phrases to use around the EIHF and in other scenarios.For venue accessibility information click here.
George Watson's College Courses
GWC Classroom Space
GAELICTIME: Tue 9.00 - 10.00TUTOR: Màiri MacleodLEVEL: Come & Try - No experience requiredRead more about Màiri here.Learn basic vocabulary and simple phrases to use around the EIHF and in other scenarios.For venue accessibility information click here.
George Watson's College Courses
GWC Classroom Space
THE RHYTHMIC HARP IN ENSEMBLESTIME: Sat 11.00 - 12.00TUTOR: Juanjo Corbalán QuartetRead more here.The Paraguayan harp offers rich potential as a rhythmic and harmonic driving force within a modern ensemble. Bring your harp and join the full Juanjo Corbalán Quartet, and together we’ll move beyond the traditional solo role of the harp to explore the interplay between the harp and a contemporary rhythm and harmony section.You are welcome to bring a harp to the Workshop.For venue accessibility information click here.
George Watson's College Workshops
GWC Workshop Space
HEALING HANDS - HOW MUSIC TRANSFORMSTIME: Sat 11.00 - 12.00TUTOR: Marianne GubriRead more about Marianne here.An experiential session introducing the 5 Pillars of Therapeutic Harp: Modes – Resonance – Natural Harmony – Synchronicity – Healing Touch. We will use movement, breath, humming, toning and deep listening to explore how music influences the body and emotions. Harps are welcome but not required. This workshop is inclusive, participatory, and open to anyone interested in music and wellbeing.You are welcome to bring a harp to the Workshop.Supported by North East Scotland Branch of the Clarsach SocietyFor venue accessibility information click here.
George Watson's College Workshops
GWC Workshop Space
MASTERCLASS WITH CATRIN FINCHTIME: Sat 11.00 - 12.00TUTOR: Catrin FinchRead more about Catrin here.A wonderful opportunity to observe one of the world’s greatest harp players guiding selected harp students through pieces of their choice. Catrin is currently Head of Harp at the Royal Academy of Music, London.Supported by Bristol & West of England Branch of the Clarsach Society and Wales Branch of the Clarsach SocietyFor venue accessibility information click here.
George Watson's College Workshops
GWC Workshop Space
THE HARP IN PARAGUAYTIME: Sun 11.00 - 12.00TUTOR: Juanjo CorbalánRead more about Juanjo here.The Paraguayan harp is more than just an instrument. It is a national treasure, a vibrant symbol of Paraguay’s unique cultural identity, born from the blend of indigenous Guaraní spirit and European colonial heritage. In this demonstration workshop, you will embark on a fascinating journey through the history, technical mastery, and rich repertoire of this iconic instrument.Supported by Transpennine Branch of the Clarsach SocietyFor venue accessibility information click here.
George Watson's College Workshops
GWC Workshop Space
HARMONY SINGINGTIME: Sun 11.00 - 12.00TUTOR: Corrina HewatRead more about Corrina here.Always a fun and energising workshop, designed for all of you who need an hour of vocal joy in the middle of the day. No need for harps, just bring a voice and something to drink. We'll start with a few warm-ups before singing a range of old and new songs that you will find easy to pick up. With words provided to take away, there will be harmony choruses, parallel harmony lines, backing voxpops, drones, swapping melodies and rhythms to keep you on your toes.Supported by Highland Branch of the Clarsach SocietyFor venue accessibility information click here.
George Watson's College Workshops
GWC Workshop Space
INSTANT JAZZ HARP ORCHESTRATIME: Mon 11.00 - 12.00TUTOR: Park StickneyRead more about Park here.No preparation, no risk, no fear, maximum fun. You’ll build a group piece from various bits and bobs that Park will bring from home. Afterwards you can play it solo or find 30 friends and recreate the original version. Along the way you’ll also explore some basic jazz ideas: chords, improvisation, harpyrotechniques, etc. to justify everything, pedagodgically!You are welcome to bring a harp to the Workshop.Supported by Dumfries & Galloway Branch of the Clarsach SocietyFor venue accessibility information click here.
George Watson's College Workshops
GWC Workshop Space
THE GUZHENGTIME: Mon 11.00 - 12.00TUTOR: Wan XingRead more about Wan here.Wan Xing, a visionary zheng musician from Hong Kong, weaves tradition with innovation as an artist, curator, and educator. She invites you to step into her world and experience the zheng up close. She will demonstrate the essence of this ancient Chinese instrument, its basic techniques, signature melodies from different regions of China and the similarities and differences between zheng and harp. Joining with Eleanor Dunsdon, they will demonstrate how to blend Chinese, Scottish and Irish music.For venue accessibility information click here.
George Watson's College Workshops
GWC Workshop Space
THE STOPPED STYLE FOR ALL HARPSTIME: Mon 11.00 - 12.00TUTOR: Bill TaylorRead more about Bill here.We all know that the strings ring on all harps. Playing in ‘the stopped style’ offers a fingernail method using damping techniques both to clarify the melody and to cleanly execute ornamentation. Historically, we find that, since the Middle Ages, all kinds of harps used damping techniques for hundreds of years. Come to this participatory workshop and learn from the wisdom of the ancients.You are welcome to bring a harp to the Workshop.Supported by Wire Branch of the Clarsach SocietyFor venue accessibility information click here.
George Watson's College Workshops
GWC Workshop Space
ELECTRO-CHROMATIC HARPTIME: Tue 11.00 - 12.00TUTOR: Laura PerrudinRead more about Laura here.Drawing on her experience as a harpist, composer and improviser, Laura will explore how technology, custom harp modifications, and innovative playing techniques can expand the expressive range of the electro-chromatic harp. This session is designed for harpists interested in discovering new directions for the instrument and exploring the future of harp performance through technological innovation.Supported by Northumbrian Branch of the Clarsach SocietyFor venue accessibility information click here.
George Watson's College Workshops
GWC Workshop Space
PERCUSSION AND POP-ARRANGING FOR HARPTIME: Tue 11.00 - 12.00TUTOR: Amy TurkRead more about Amy here.Extend your harp's sonic potential and become a one-harp band! Join Amy in exploring percussive and extended harp techniques that anyone can learn and find out how to incorporate these into your playing. Through a series of well-known pop songs, Amy will guide you through her percussive techniques and show you how to recreate the sounds that you hear in your favourite songs, and also use these to create new music.You are welcome to bring a harp to the Workshop.For venue accessibility information click here.
George Watson's College Workshops
GWC Workshop Space
GAELIC SINGINGTIME: Tue 11.00 - 12.00TUTOR: Calum MacleodRead more about Calum here.Did you know our Technical Manager is also an award-winning Gaelic singer and clarsach player? Join Mòd Gold Medallist Calum as he teaches you some of his favourite Gaelic songs. Open to Gaelic beginners and learners, and non-harp players.Supported by Argyll Branch of the Clarsach SocietyFor venue accessibility information click here.
George Watson's College Workshops
GWC Workshop Space
ASSEMBLY HALL RACHEL HAIR & RON JAPPYTake Scotland’s oldest instrument, add its newest session sidekick, swirl them through Glasgow’s music scene and out pops the harp and guitar duo Rachel Hair & Ron Jappy! With dazzling harp and driving guitar, they blend their love of Scottish tunes with their Highlands and North-East upbringing, resulting in crisp strathspeys, heartfelt airs and toe-tapping jigs and reels. Fresh from tours worldwide, they’re known for playful energy, musical chemistry, and stories that charm their audiences as much as the tunes.“A superb Highland Harper” BBC Radio 2“An electrifying duo” Fatea LAURA PERRUDINLaura Perrudin is a trailblazing harpist, singer-songwriter and composer-producer from Brittany, France. Trained in classical and jazz, her albums, blending soul, folk, electronica, jazz and experimental pop, have earned international acclaim. In this concert, as in her new album TEMPUS, she returns to the Celtic harp, which she plays and prepares using highly personal, unconventional techniques. Sponsored by the Glasgow Branch of the Clarsach Society
George Watson's College Concerts
Concert Space
MUSIC SCHOOL RED RORY MCGLIP AND THE FAIRY HARP (YOUNG PERFORMERS' CONCERT)The EIHF junior ensemble, consisting of young harpers from around the country, will perform a magical suite of newly created music based upon the tale of The Adventures of Red Rory McGlip and the Fairy Harp. The story will be told alongside the music by storyteller Heather Yule and the concert will feature a performance from Royal National Mòd prizewinner, Isla Ovenstone. Join us for this enchanting performance. Sponsored by The Royal Celtic Society and An Comunn Gàidhealach
George Watson's College Concerts
Concert Space
MUSIC SCHOOL The Galloway Agreement are an alternative string quintet based in South West Scotland, featuring Wendy Stewart (harp), Ruth Morris (nyckelharpa), Beth Porter (cello), Gavin Marwick (fiddle) and Stuart Macpherson (double bass). This combination produces a unique sound which the group love to explore through their own compositions, influenced by their varied musical backgrounds in folk, classical and jazz. Their concert will also feature music written for a theatre project with writer Tom Pow and Bird Theatre, Japan, which explores questions of rural depopulation through story, song and memory. Sponsored by Isle of Lewis Branch of the Clarsach Society
George Watson's College Concerts
Concert Space
ASSEMBLY HALL CATRIN FINCH & AOIFE NÍ BHRIAINOne of the world’s greatest harp players, Welsh harpist Catrin Finch has built an impressive classical career and ventured into unchartered musical territory, most notably through her award-winning collaborations with Seckou Keita and Cimarron. From across the Irish Sea, Dublin native Aoife Ní Bhriain is one of her generation’s most versatile and gifted violinists, a dazzling musician who commands both the classical world and her Irish traditional heritage. Together, Aoife and Catrin form a formidable virtuoso duo, eager to explore a musical world of creative possibility, challenge and discovery. JUANJO CORBALÁNJuanjo Corbalán is one of Paraguay’s leading harpists, known for bringing the traditional Paraguayan harp into contemporary dialogue with jazz and Latin American music. His quartet features Lara Barreto on alto and soprano saxophone, Víctor Álvarez on piano, and Seba Ramírez on drums and percussion, creating a distinctive sound that blends roots and innovation, tradition and improvisation. With tours across Europe and Latin America, and winner of the Dutch Harp Festival 2022, the group presents a repertoire of original compositions alongside new creations. Sponsored by London and South East Branch of the Clarsach SocietySponsored by David and Brenda LambSponsored by Camac HarpsSupported by Ard-Chonsalacht na hÉireann | Dún Éideann
George Watson's College Concerts
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MUSIC SCHOOL KAREN MARSHALSAYKaren will present the Three Scottish Harps: the warm-sounding lever harp, the resonant wire-strung clarsach of the Gaels and the baroque era bray harp with its distinctive sitar-like buzz give the harp huge significance in the Scottish tradition. Karen Marshalsay is one of only a handful of harpers who specialises on all three instruments. With a playing style that is deeply connected to the piping tradition, she has won praise for both the purity of her phrasing and her ability to add character to a melody with decoration. Tunes and the stories behind them make Karen’s Three Scottish Harps an entertaining, informative experience. LAURA PENMANLaura Penman is a clarsach player, pianist and composer. She studied at the Royal Conservatoire of Scotland and graduated with a BMus Traditional Music in 2024. She was a finalist in the Young Traditional Musician of the Year Award 2025. She has been immersed in tradition and has explored other genres, and enjoys both accompanying other instrumentalists and performing as a soloist. Laura will showcase both her arrangements of traditional music and her own compositions. Supported by The United Kingdom Harp Association
George Watson's College Concerts
Concert Space
ASSEMBLY HALL AMY TURKAmy Turk is a multi-genre harpist, composer, arranger and session artist from Manchester. She is well known from her YouTube videos, where she has covered classical, pop, rock, film and video game music. In concert, Amy will present her story as a percussive harpist, emulating acoustic guitarists through her arrangements of pop and rock songs and her own compositions using percussion and extended effects. ELEANOR DUNSDON, WAN XING & GREGOR BLACKA journey of cross-cultural improvisation, Hong Kong-based Guzheng player, Wan Xing, teams up with harpist, Eleanor Dunsdon, and percussionist/bodhrán player, Gregor Black, combining their distinct musical backgrounds to create a unique new sound. The trio met in Boston, Massachusetts, in 2023, during the Silkroad Ensemble's Global Musician Workshop. They performed at the Edinburgh Fringe in 2025, premiering their debut album, ‘Waves of Tradition’. Exploring the trio’s Chinese-Scottish crossover, their programme highlights the relationships between these instruments and cultures, as well as featuring the premiere of a new commission for the trio by internationally acclaimed harpist and composer, Maeve Gilchrist. Supported by Pilgrim Harps
George Watson's College Concerts
Concert Space
MUSIC SCHOOL MARIANNE GUBRI Marianne Gubri, settled in Italy since 2002 and originally from Brittany, takes the audience on an immersive journey through the harmony of the cosmos. Blending ancient scales, celestial imagery, and ethereal soundscapes, her performance intertwines harp and subtle electronic layers to evoke the Music of the Spheres — the timeless vibration linking stars, nature, and the human soul. A meditative and inspiring concert where art, science, and spirituality resonate in perfect harmony. ANNA MCLUCKIE Anna is a Scottish singer, songwriter and clarsach player. Raised on classical and traditional music at the City of Edinburgh Music School, she studied Popular Music at The Royal Northern College of Music. Musically she sits in a world of contemporary folklore, her songs layered with interweaving harmonies, story-led lyricism and free-form structures. Many will have first seen Anna on BBC’s The Voice in 2014. Now based in London, she has performed across the globe, and her first full length album The Little Winters is set to be released in April 2026. Sponsored by David and Brenda LambSupported by Instituto Italiano di Cultura Edimburgo
George Watson's College Concerts
Concert Space
ASSEMBLY HALL Hands in Harmony: Moods and Memories Students attending the Festival join with ensembles from several Branches of The Clarsach Society to form our Festival Orchestra. Together they will perform music specially arranged and directed by Isobel Mieras, Rosemary McKerchar and Wendy Stewart, interspersed with performances from each Branch ensemble. Many harps and hands will sing together to weave a colourful and varied tapestry of music, celebrating the skills, friendship, joy, and generosity of making music together. Find out how to be part of the Festival Orchestra at Course T30. Sponsored by Jack Hayward Insurance
George Watson's College Concerts
Concert Space
ASSEMBLY HALL PARK STICKNEY Park, who splits his time between New York and Switzerland, has been a regular at the EIHF since the early years. His unique brand of inspiring ideas and humour appeals to all. In his own words…Really, a lot of harp-playing. Maybe too much. Probably (certainly) also some pithy anecdotes. Again, perhaps too many. Or...or maybe just the right amount? Let's discuss afterwards. As last year, some special guests will send us on our happy way with unexpected collaborations and a bit of fun! Sponsored by the Edinburgh branch of the Clarsach Society
George Watson's College Concerts
Concert Space
Access to all concerts* at EIHF 2026 Experience an ear-tingling array of top-class harp music for one, simple price. Full price - £115Concession - £100Under 18s - £60 Line-up to include: Amy Turk / Anna McLuckie / Catrin Finch & Aoife Ní Bhriain / Eleanor Dunsdon & Gregor Black with Wan Xing / Hands in Harmony / Juanjo Corbalán Quartet / Karen Marshalsay / Laura Penman / Laura Perrudin / Marianne Gubri / Park Stickney / Rachel Hair & Ron Jappy / The EIHF Junior Ensemble / Wendy Stewart & The Galloway Agreement *Does not include the Ceilidh [D01] Available for a limited time only, so book without delay!
George Watson's College Concerts
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George Watson's College Concerts
The Gathering Space
CHILD BEGINNERS4 DAY COURSE: Sat / Sun / Mon / Tue 9.00-10.00TUTOR: Laura PenmanRead more about Laura here.Come and learn to play the clarsach in a relaxed and supportive environment. We will have lots of fun learning some simple tunes and even some songs you might recognise, while playing lots of musical games and building a foundation in basic technique. No previous experience is needed.For venue accessibility information click here.
George Watson's College Courses
GWC Classroom Space
ADULT BEGINNERS4 DAY COURSE: Sat / Sun / Mon / Tue 13.00-14.30TUTOR: Jennifer PortTEACHING METHOD - M + E: Written music will be provided from the start, but teaching will by sympathetic to all levels of reading/assimilating musicRead more about Jennifer here.Are you ready to start your harp-learning journey? Through simple tunes and exercises, this class will introduce the first steps in learning to play the harp in a friendly and supportive environment.For venue accessibility information click here.
George Watson's College Courses
GWC Classroom Space
POST BEGINNERS4 DAY COURSE: Sat / Sun / Mon / Tue 13.00-14.30TUTOR: Heather YuleTEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Heather here.This course is perfect for those who attended last year’s beginner’s course or have been playing for a short time. Heather will help you take the next steps, improving and reinforcing good technique, and learning new pieces, to help you become more comfortable and confident on the harp.For venue accessibility information click here.
George Watson's College Courses
GWC Classroom Space
POST BEGINNERS WIRE HARP4 DAY COURSE: Sat / Sun / Mon / Tue 13.00 - 14.30TUTOR: Bill Taylor LEVEL: POST BEGINNERS (see brochure p25 for explanation)TEACHING METHOD - M+E: Written music will be provided from the start, but teaching will be sympathetic to all levels of reading/assimilating music.Read more about Bill here.New players of the wire-strung clarsach are very welcome to join this course. Using both historical and traditional pieces, we will reinforce basics and explore damping techniques that allow the music to shine, without the clutter of excessively ringing strings. All sizes of harps can be used, and it’s helpful to have fingernails at least 2 mm long. As we interpret the pieces, we will learn how to play cleanly, and how to release harmony from melody. Additionally, we will explore playing crisp decorations found in historical sources, and making interesting accompaniments.For venue accessibility information click here.
George Watson's College Courses
GWC Classroom Space
PRIMARY AGE: FRIENDS, FUN AND FOLK4 DAY COURSE: Sat / Sun / Mon / Tue 13.00 - 14.30TUTOR: Elinor EvansLEVEL: Elementary (see brochure p25 for explanation) TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Elinor here.Who doesn't enjoy playing the harp, making friends and having fun? This course focuses on exploring tunes, adding interesting riffs and unusual harmonies. We will also look at writing our own tunes and play musical games. You will go home ready to entertain your family with a whole new repertoire. This course is for children of primary school age (up to approximately age 11).For venue accessibility information click here.
George Watson's College Courses
GWC Classroom Space
TO BEGIN AT THE BEGINNING!4 DAY COURSE: Sat / Sun / Mon / Tue 16.30-18.00 ON ZOOMTUTOR: Wendy StewartLEVEL: Elementary (see brochure p25 for explanation) TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Wendy here.Simple, beautiful Scottish tunes, taught slowly and carefully to make heart and harp sing. Nearly 60 years ago, Wendy started her harping journey, through The Clàrsach Society in Edinburgh, with her wonderful teacher Jean Campbell who shaped Wendy’s music and style of teaching immeasurably. In this course we will explore some pieces from Jean’s arrangements in the iconic Clàrsach Society Folio 1, plus others from Wendy’s early years!Our system will automatically email you your course pack (with sheet music and zoom codes) 24 hours before your course begins. If you experience problems with this please email office@harpfestival.co.uk. Please remember that Edinburgh (in April) will be on British Summer Time/BST (1 hour behind central Europe and 5 hours ahead of Eastern Time)
George Watson's College Courses
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SCOTTISH TUNES4 DAY COURSE: Sat / Sun / Mon / Tue 16.30-18.00TUTOR: Stephanie HumphreysLEVEL: Elementary (see brochure p25 for explanation) TEACHING METHOD - M+E: Written music will be provided from the start, but teaching will be sympathetic to all levels of reading/assimilating music.Read more about Stephanie here.This course offers a supportive and gentle approach for fledgling harp players who want to take flight. From slow airs to lively jigs, we will explore a range of beautiful Scottish tunes while falling in love with Scotland’s traditional instrument.For venue accessibility information click here.
George Watson's College Courses
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ENGLISH FOLK TUNES OLD AND NEW4 DAY COURSE: Sat / Sun / Mon / Tue 9.00 - 10.30TUTOR: Eleanor DunsdonLEVEL: Elementary/Intermediate (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will be initially by ear with written music given out during or at the end of each session.Read more about Eleanor here.Expand your repertoire by exploring a selection of tunes from across England and particularly the South East, where Eleanor grew up. We will explore how traditional instruments such as the English melodeon and Northumbrian pipes have contributed to and characterised English music. We will also learn some contemporary tunes written by modern English folk musicians, who have been integral to the continuation of a living tradition.For venue accessibility information click here.
George Watson's College Courses
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ROOTED & READY: WARM-UPS FOR REAL PROGRESS4 DAY COURSE: Sat / Sun / Mon / Tue 9.00 - 10.30TUTOR: Heather DownieLEVEL: Elementary/Intermediate (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Heather here.Do you feel like your tune folder is growing faster than your technique? Do you long to play beautifully, but your hands haven’t quite caught up? This course will give your technique the foundation it needs to support everything you want to play. Each day, you will build a well-rounded warm-up, focusing on the what, the why, and the how of solid harp playing. You’ll learn to spot the technical skills hidden in the music you love and to practise them in ways that truly move you forward.For venue accessibility information click here.
George Watson's College Courses
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INTRODUCTION TO JAZZ4 DAY COURSE: Sat / Sun / Mon / Tue 13.00 - 14.30TUTOR: Park StickneyLEVEL: Elementary/Intermediate (see brochure p25 for explanation)TEACHING METHOD - M+E: Written music will be provided from the start, but teaching will be sympathetic to all levels of reading/assimilating music.Read more about Park here.Are you interested in exploring jazz? Come and learn from the jazz harp master himself! Under Park’s watchful eye, you will learn to play some jazz standards, explore chords, improvise, play pedal/lever slides and other hijinks! Both pedal and lever harps are welcome.For venue accessibility information click here.
George Watson's College Courses
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THE HARP WITHIN THE LEGENDS4 DAY COURSE: Sat / Sun / Mon / Tue 16.30-18.00 ON ZOOMTUTOR: Heather YuleLEVEL: Elementary/Intermediate (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Heather here.Throughout history, and throughout the world, musicians and their music have been intertwined with the spoken word. This course will look at some of the stories that feature harpers, pipers, fiddlers and other musical traditions. Come and explore how to use the harp to vividly illustrate the narrative with the appropriate melodies and techniques.Our system will automatically email you your course pack (with sheet music and zoom codes) 24 hours before your course begins. If you experience problems with this please email office@harpfestival.co.uk. Please remember that Edinburgh (in April) will be on British Summer Time/BST (1 hour behind central Europe and 5 hours ahead of Eastern Time)
George Watson's College Courses
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HARP & SONGS4 DAY COURSE: Sat / Sun / Mon / Tue 16.30-18.00TUTOR: Corrina HewatLEVEL: Elementary/Intermediate (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Corrina here.Join Corrina to learn a selection of Scottish songs which work well both as harp arrangements or as pieces sung with harp accompaniment. There is no need to be a singer — the focus is on learning and expanding your repertoire, while understanding a little more of Scottish history through stories told through song. We will also work on finding the right key and what difference that can make, should you want to sing it. This will be a gentle class, taught aurally with melody and words provided.For venue accessibility information click here.
George Watson's College Courses
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HARP FRIENDLY DANCE SETS4 DAY COURSE: Sat / Sun / Mon / Tue 9.00 - 10.30TUTOR: Wendy StewartLEVEL: Intermediate (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Wendy here.You know when you want to play some slightly faster tunes and/or chords for a bit of dancing or even just a toe-tapping session? The fiddlers may be able to jump around keys and play at breakneck speed, but it’s a wee bit harder on lever harps. This is a course featuring sets of Scottish jigs, marches, strathspeys and waltzes that work well together and flow under our fingers. Wendy has chosen and arranged the individual sets carefully using keys, modes and chord charts to make an upbeat addition to your repertoire!For venue accessibility information click here.
George Watson's College Courses
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POP CHORD PROGRESSIONS AND IMPROVISATIONS4 DAY COURSE: Sat / Sun / Mon / Tue 9.00 - 10.30TUTOR: Amy TurkLEVEL: Intermediate (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Amy here.Get acquainted with the building blocks of your favourite pop songs with this introduction to popular chord progressions. You will have the opportunity to explore the theory behind the chords, and learn how they can be combined and used to evoke different feelings and emotions. Participants will also be able to try out different chord voicings and complimentary scales, modes and patterns for improvisation – no prior improvising experience is required!For venue accessibility information click here.
George Watson's College Courses
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SCOTTISH SLOW AIRS4 DAY COURSE: Sat / Sun / Mon / Tue 16.30 - 18.00TUTOR: Jennifer PortLEVEL: Intermediate (see brochure p25 for explanation)TEACHING METHOD - M+E: Written music will be provided from the start, but teaching will be sympathetic to all levels of reading/assimilating music.Read more about Jennifer here.Aren’t slow airs just magical on the harp? In this course, you’ll expand your repertoire with beautiful, expressive slow airs from across Scotland’s rich musical landscape. Enjoy the quiet pleasure of playing these timeless melodies as Jennifer guides you through thoughtful arrangements that let your harp truly sing, capturing the gentle, evocative atmosphere that slow airs are known for.For venue accessibility information click here.
George Watson's College Courses
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THE MUSIC OF ROBERT BURNS4 DAY COURSE: Sat / Sun / Mon / Tue 16.30 - 18.00 ON ZOOMTUTOR: Karen MarshalsayLEVEL: Intermediate (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Karen here.Scotland’s most celebrated poet, himself a fiddler, was also an important part of 18th c. music publishing, collecting and contributing to both Johnson’s Scots Musical Museum and Thomson’s Select Collection of Original Scottish Airs. Burns had a feel for a great tune and gathered them from both Highland and Lowland sources. Growing up in Ayrshire, Burns was an early influence for Karen. In this course she will guide you through some instrumental versions of his well-known and less familiar works, helping you to expand your repertoire with tunes that are not just for Burns Nights!Our system will automatically email you your course pack (with sheet music and zoom codes) 24 hours before your course begins. If you experience problems with this please email office@harpfestival.co.uk. Please remember that Edinburgh (in April) will be on British Summer Time/BST (1 hour behind central Europe and 5 hours ahead of Eastern Time)
George Watson's College Courses
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SCOTTISH MIX4 DAY COURSE: Sat / Sun / Mon / Tue 13.00 - 14.30TUTOR: Corrina HewatLEVEL: Intermediate/Advanced (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Corrina here.A marvellous selection of great tunes to get your fingers moving! Each day you will tackle a different style of tune and a different decoration to add to your repertoire. Music will be available to take away at the end of each session with the fingering and chords marked. Corrina recommends bringing a recording device to capture the ‘feel’ of the tunes.For venue accessibility information click here.
George Watson's College Courses
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BEYOND THE STRINGS4 DAY COURSE: Sat / Sun / Mon / Tue 9.00-10.30TUTOR: Laura PerrudinLEVEL: Intermediate/Advanced (see brochure p25 for explanation)TEACHING METHOD - E: Teaching will be mainly by ear.Read more about Laura here.Explore the lever harp in a fully hands-on way that goes far beyond just playing tunes. Using objects and unconventional techniques, Laura will help you discover surprising sounds and new possibilities hidden within our instrument. Guided exercises will encourage you to experiment with textures, rhythms, and effects, helping you develop an intuitive approach. No sheet music required, just curiosity and pure imagination!For venue accessibility information click here.
George Watson's College Courses
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GROOVE IS IN THE HARP4 DAY COURSE: Sat / Sun / Mon / Tue 13.00 - 14.30TUTOR: Eleanor DunsdonLEVEL: Intermediate/Advanced (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will be mainly by ear.Read more about Eleanor here.A harpist’s guide to groove! You will build a toolkit of tricks and ideas for playing and arranging, working on feel and finding your own groove. You will explore ways to bring more life and drive to your playing, whether you are accompanying others or performing solo, by developing your own riffs and left-hand lines, building confidence in improvisation, and learning to lock in with the rhythm section.For venue accessibility information click here.
George Watson's College Courses
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JAZZ3 DAY COURSE: Sun / Mon / Tue 9.00 - 10.30TUTOR: Park StickneyLEVEL: Intermediate/Advanced (see brochure p25 for explanation)TEACHING METHOD - M+E: Written music will be provided from the start, but teaching will be sympathetic to all levels of reading/assimilating music.Read more about Park here.So you're convinced. You're already playing some jazz (or are up for a challenge) but you want to learn more. Come and join Park to explore standards, chords, improvisation, some light theory, pedal/lever slides, and, of course, hijinks! Both lever and pedal harps welcome.This course will run on Sunday, Monday, and Tuesday.For venue accessibility information click here.
George Watson's College Courses
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BUILD A POP SONG4 DAY COURSE: Sat / Sun / Mon / Tue 13.00 - 14.30TUTOR: Amy TurkLEVEL: Intermediate/Advanced (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will be initially by ear with written music given out during or at the end of each session.Read more about Amy here.Keen to play pop songs, but don’t know where to start? Learn the principles of pop in this fun-filled course where participants will be guided to create a pop arrangement from the ground up! The course will explore the elements and characteristics of pop songs, how to listen and understand what you’re hearing, and how to interpret and play pop effectively on the harp. At the end of the course, participants will have created a full ensemble arrangement that they’ll be able to perform together.For venue accessibility information click here.
George Watson's College Courses
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CELTIC COUSINS4 DAY COURSE: Sat / Sun / Mon / Tue 9.00 - 10.30TUTOR: Rachel HairLEVEL: Intermediate/Advanced (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will be initially by ear with written music given out during or at the end of each session.Read more about Rachel here.Join Rachel for a musical adventure as she whisks you off to visit four of our Celtic Cousins - Ireland, the Isle of Man, Wales and Brittany. Each day you will learn a tune, starting first with the melody, before sprinkling in some left-hand magic! Along the way, you will hear the tales behind the music and discover how the harp weaves itself into each country’s culture. Come ready for fun, curiosity, and a suitcase full of fantastic new tunes!For venue accessibility information click here.
George Watson's College Courses
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IMPROVISATION4 DAY COURSE: Sat / Sun / Mon / Tue 16.30 - 18.00TUTOR: Park StickneyLEVEL: Intermediate/Advanced (see brochure p25 for explanation)TEACHING METHOD - M+E: Written music will be provided from the start, but teaching will be sympathetic to all levels of reading/assimilating music.Read more about Park here.Are you in the mood to go creatively off-road? Then this course is for you. It’s just the ticket for those who want to play jazz harp but want to spend more playing and less time talking about chords and theory. You will also break into small groups, to give everyone room to stretch out. Both lever and pedal harps welcome.For venue accessibility information click here.
George Watson's College Courses
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HEALING HARP4 DAY COURSE: Sat / Sun / Mon / Tue 16.30 - 18.00TUTOR: Marianne GubriLEVEL: Mixed Ability (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Marianne here.Marianne is a leading voice in the world of harp therapy, so join her and create dreamy and poetic soundscapes using drones, natural sounds, bowls, bells and voice through mantras and humming. You will explore imaginative, relaxing and expressive practices, going beyond traditional techniques and structures of harp-playing. This course is ideal for those who wish to bring the harp into meditative and holistic/therapeutic environments or yoga sessions.For venue accessibility information click here.
George Watson's College Courses
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GET SET FOR SESSIONS!4 DAY COURSE: Sat / Sun / Mon / Tue 13.00 - 14.30TUTOR: Neil WoodLEVEL: Mixed Ability (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Neil here.Have you ever wanted to play in a traditional session, or taken your harp to a session and felt lost? Unlock the joy of playing in a session with this course which will cover all aspects of session-playing including session etiquette, finding the key, dual-handed accompaniment, backing tunes you don’t know and leading a set. After class, participants are welcome to try out their new skills in the EIHF evening and slow lunchtime sessions.For venue accessibility information click here.
George Watson's College Courses
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EXPLORING MODES4 DAY COURSE: Sat / Sun / Mon / Tue 9.00-10.30TUTOR: Marianne GubriLEVEL: Mixed Ability (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Marianne here.In this playful and accessible course, Marianne will guide you in exploring Greek, medieval and oriental therapeutic modes. Using improvisational and pattern-based techniques, you will learn how to compose spontaneously and create free-flowing music for hours, and experience true freedom from notation.For venue accessibility information click here.
George Watson's College Courses
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THE HARP ARRANGER'S TOOLKIT4 DAY COURSE: Sat / Sun / Mon / Tue 9.00-10.30TUTOR: Ailie RobertsonLEVEL: Mixed Ability (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Ailie here.Using a methodical, step-by-step approach, Ailie will help you discover chord choices, ostinatos, intros, interludes and much more to send you on your own distinctive path of creating unique and effective arrangements.For venue accessibility information click here.
George Watson's College Courses
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SONG WRITING AND ARRANGING4 DAY COURSE: Sat / Sun / Mon / Tue 13.00 - 14.30TUTOR: Laura PerrudinLEVEL: Mixed Ability (see brochure p25 for explanation)TEACHING METHOD - E: Teaching will be by earRead more about Laura here.Laura will guide you through the full songwriting process, shaping lyrics, crafting musical ideas and developing harp arrangements, without using written music. Through brainstorming and creative experimentation, you will discover intuitive techniques to compose and arrange in ways that spark new ideas. This course encourages you to develop your artistic voice and build confidence in creating music. Come ready to experiment, and leave with new material to grow beyond the course. Suitable for all levels except complete beginners.For venue accessibility information click here.
George Watson's College Courses
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WIRE TUNES FROM THE PATRICK MCDONALD COLLECTION4 DAY COURSE: Sat / Sun / Mon / Tue 9.00 - 10.30TUTOR: Karen MarshalsayLEVEL: Mixed Ability (see brochure p25 for explanation)TEACHING METHOD - E+M: Teaching will initially be by ear with written music given out during the session.Read more about Karen here.Many of the tunes in this important 1784 collection of Highland airs sit wonderfully well on the wire-strung clarsach and this course will explore several of them. You will look at the challenges involved in taking them off the page and onto the strings, along with techniques and ideas to help you create flowing interpretations in the Gaelic idiom.For venue accessibility information click here.
George Watson's College Courses
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FESTIVAL ORCHESTRA4 DAY COURSE: Sat / Sun / Mon / Tue 13.00 - 14.30TUTOR: Isobel Mieras, Rosemary McKerchar, Wendy StewartLEVEL: Mixed Ability (see brochure p25 for explanation)TEACHING METHOD - M+E: Written music will be provided from the start, but teaching will be sympathetic to all levels of reading/assimilating music.Read more about the tutors here.Students are invited to rehearse and perform pieces specially arranged by Isobel Mieras, Rosemary McKerchar and Wendy Stewart in our Tuesday afternoon concert, Hands in Harmony. The music, which will be emailed to you for downloading after booking, will have parts to suit all abilities. This is your chance to work with three skilled arrangers and teachers and to experience the challenge, and fun, of rehearsing and refining ensemble music to bring it to performance level.- Participants will be emailed music for this course following booking. Please be aware that this will not be immediate. For venue accessibility information click here.
George Watson's College Courses
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A SCOTTISH MUSICAL TAPESTRY weekend courseTHIS COURSE IS DELIVERED OVER FOUR SESSIONS: Sat 9.00 - 10.30 | Sat 13.00 - 14.30 Sun 9.00 - 10.30 | Sun 13.00 - 14.30TUTOR: Cheyenne BrownLEVEL: Elementary/Intermediate (see brochure p25 for explanation)TEACHING METHOD: E+M - Teaching will be by ear initially with written music given out during the session.Read more about Cheyenne here.A varied selection of tunes from the vast musical tapestry of Scotland. We'll enjoy both traditional and modern compositions at a relaxed pace. The tunes will be specially chosen with memorable phrases and accessible fingering. We'll do lots of repetition of phrases and concentrate on finger patterns and placing to help secure the tunes into your muscle memory.For venue accessibility information click here.
George Watson's College Courses
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PEDAL HARP: PERFORMANCE, TECHNIQUE AND MUSIC weekend courseTHIS COURSE IS DELIVERED OVER FOUR SESSIONS: Sat 9.00 - 10.30 | Sat 13.00 - 14.30 Sun 9.00 - 10.30 | Sun 13.00 - 14.30TUTOR: Catrin FinchLEVEL: Intermediate/Advanced (see brochure p25 for explanation)TEACHING METHOD - M+E: Written music will be provided from the start, but teaching will be sympathetic to all levels of reading/assimilating music.Read more about Catrin here.A rare chance to learn with internationally acclaimed harpist, Catrin Finch. Open to pedal harp players, this course invites participants to bring one or two prepared pieces for focused guidance. Catrin will also lead the group in sessions on technical exercises and musical interpretation, for which no additional music will be required. Expect to leave motivated, enriched, and truly inspired.For venue accessibility information click here.
George Watson's College Courses
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WIRE HARPTIME: Sat 16.30 - 18.00TUTOR: Bill TaylorLEVEL: Come & Try - No experience requiredRead more about Bill here.An opportunity to try out the beautifully resonant wire-strung clarsach. While these were properly played with fingernails at least 2mm long, that’s not necessary for this taster class. The technique we use is often called playing “in the stopped style”, where the finger pads damp certain strings to stop excessive ringing, and allow us to hear a clear line for the melody, the decoration, or both. Play a few simple tunes, touch on its history and feel free to ask questions. A limited number of wire-strung clarsachs are available.For venue accessibility information click here.
George Watson's College Courses
GWC Classroom Space
WIRE HARPTIME: Sun 16.30 - 18.00TUTOR: Bill TaylorLEVEL: Come & Try - No experience requiredRead more about Bill here.An opportunity to try out the beautifully resonant wire-strung clarsach. While these were properly played with fingernails at least 2mm long, that’s not necessary for this taster class. The technique we use is often called playing “in the stopped style”, where the finger pads damp certain strings to stop excessive ringing, and allow us to hear a clear line for the melody, the decoration, or both. Play a few simple tunes, touch on its history and feel free to ask questions. A limited number of wire-strung clarsachs are available.For venue accessibility information click here.
George Watson's College Courses
GWC Classroom Space
WIRE HARPTIME: Mon 9.00 - 10.30TUTOR: Bill TaylorLEVEL: Come & Try - No experience requiredRead more about Bill here.An opportunity to try out the beautifully resonant wire-strung clarsach. While these were properly played with fingernails at least 2mm long, that’s not necessary for this taster class. The technique we use is often called playing “in the stopped style”, where the finger pads damp certain strings to stop excessive ringing, and allow us to hear a clear line for the melody, the decoration, or both. Play a few simple tunes, touch on its history and feel free to ask questions. A limited number of wire-strung clarsachs are available.For venue accessibility information click here.
George Watson's College Courses
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BODHRANTIME: Sat 13.00 - 14.30TUTOR: Gregor BlackLEVEL: Come & Try - No experience requiredRead more about Gregor here.A brilliant opportunity to learn the basics of bodhran-playing for anyone enthusiastic about rhythm and groove. A limited number of bodhrans may be available by contacting the office or bring your own.For venue accessibility information click here.
George Watson's College Courses
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BODHRANTIME: Tue 16.30 - 18.00TUTOR: Gregor BlackLEVEL: Come & Try - No experience requiredRead more about Gregor here.A brilliant opportunity to learn the basics of bodhran-playing for anyone enthusiastic about rhythm and groove. A limited number of bodhrans may be available by contacting the office or bring your own.For venue accessibility information click here.
George Watson's College Courses
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UKULELETIME: Sun 13.00 - 14.30TUTOR: Kathy Stewart KennedyLEVEL: Come & Try - No experience requiredRead more about Kathy here.Come and try the ukulele and enjoy the many benefits of playing this instrument. It's fun, builds confidence, reduces stress, is portable and affordable! Learn simple chords and strums in a relaxed and safe space - no experience is necessary, and you will soon find out why there are over 200 uke groups in the UK! Time to bring that uke which has been collecting dust in your closet or come and try the ukes provided. No experience is necessary.For venue accessibility information click here.
George Watson's College Courses
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UKULELETIME: Sun 16.30 - 18.00TUTOR: Kathy Stewart KennedyLEVEL: Come & Try - No experience requiredRead more about Kathy here.Come and try the ukulele and enjoy the many benefits of playing this instrument. It's fun, builds confidence, reduces stress, is portable and affordable! Learn simple chords and strums in a relaxed and safe space - no experience is necessary, and you will soon find out why there are over 200 uke groups in the UK! Time to bring that uke which has been collecting dust in your closet or come and try the ukes provided. No experience is necessary.For venue accessibility information click here.
George Watson's College Courses
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GAELICTIME: Sat 16.30 - 17.30TUTOR: Màiri MacleodLEVEL: Come & Try - No experience requiredRead more about Màiri here.Learn basic vocabulary and simple phrases to use around the EIHF and in other scenarios.For venue accessibility information click here.
George Watson's College Courses
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GAELICTIME: Mon 13.00 - 14.00TUTOR: Màiri MacleodLEVEL: Come & Try - No experience requiredRead more about Màiri here.Learn basic vocabulary and simple phrases to use around the EIHF and in other scenarios.For venue accessibility information click here.
George Watson's College Courses
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GAELICTIME: Tue 9.00 - 10.00TUTOR: Màiri MacleodLEVEL: Come & Try - No experience requiredRead more about Màiri here.Learn basic vocabulary and simple phrases to use around the EIHF and in other scenarios.For venue accessibility information click here.
George Watson's College Courses
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THE RHYTHMIC HARP IN ENSEMBLESTIME: Sat 11.00 - 12.00TUTOR: Juanjo Corbalán QuartetRead more here.The Paraguayan harp offers rich potential as a rhythmic and harmonic driving force within a modern ensemble. Bring your harp and join the full Juanjo Corbalán Quartet, and together we’ll move beyond the traditional solo role of the harp to explore the interplay between the harp and a contemporary rhythm and harmony section.You are welcome to bring a harp to the Workshop.For venue accessibility information click here.
George Watson's College Workshops
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HEALING HANDS - HOW MUSIC TRANSFORMSTIME: Sat 11.00 - 12.00TUTOR: Marianne GubriRead more about Marianne here.An experiential session introducing the 5 Pillars of Therapeutic Harp: Modes – Resonance – Natural Harmony – Synchronicity – Healing Touch. We will use movement, breath, humming, toning and deep listening to explore how music influences the body and emotions. Harps are welcome but not required. This workshop is inclusive, participatory, and open to anyone interested in music and wellbeing.You are welcome to bring a harp to the Workshop.Supported by North East Scotland Branch of the Clarsach SocietyFor venue accessibility information click here.
George Watson's College Workshops
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MASTERCLASS WITH CATRIN FINCHTIME: Sat 11.00 - 12.00TUTOR: Catrin FinchRead more about Catrin here.A wonderful opportunity to observe one of the world’s greatest harp players guiding selected harp students through pieces of their choice. Catrin is currently Head of Harp at the Royal Academy of Music, London.Supported by Bristol & West of England Branch of the Clarsach Society and Wales Branch of the Clarsach SocietyFor venue accessibility information click here.
George Watson's College Workshops
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THE HARP IN PARAGUAYTIME: Sun 11.00 - 12.00TUTOR: Juanjo CorbalánRead more about Juanjo here.The Paraguayan harp is more than just an instrument. It is a national treasure, a vibrant symbol of Paraguay’s unique cultural identity, born from the blend of indigenous Guaraní spirit and European colonial heritage. In this demonstration workshop, you will embark on a fascinating journey through the history, technical mastery, and rich repertoire of this iconic instrument.Supported by Transpennine Branch of the Clarsach SocietyFor venue accessibility information click here.
George Watson's College Workshops
GWC Workshop Space
HARMONY SINGINGTIME: Sun 11.00 - 12.00TUTOR: Corrina HewatRead more about Corrina here.Always a fun and energising workshop, designed for all of you who need an hour of vocal joy in the middle of the day. No need for harps, just bring a voice and something to drink. We'll start with a few warm-ups before singing a range of old and new songs that you will find easy to pick up. With words provided to take away, there will be harmony choruses, parallel harmony lines, backing voxpops, drones, swapping melodies and rhythms to keep you on your toes.Supported by Highland Branch of the Clarsach SocietyFor venue accessibility information click here.
George Watson's College Workshops
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INSTANT JAZZ HARP ORCHESTRATIME: Mon 11.00 - 12.00TUTOR: Park StickneyRead more about Park here.No preparation, no risk, no fear, maximum fun. You’ll build a group piece from various bits and bobs that Park will bring from home. Afterwards you can play it solo or find 30 friends and recreate the original version. Along the way you’ll also explore some basic jazz ideas: chords, improvisation, harpyrotechniques, etc. to justify everything, pedagodgically!You are welcome to bring a harp to the Workshop.Supported by Dumfries & Galloway Branch of the Clarsach SocietyFor venue accessibility information click here.
George Watson's College Workshops
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THE GUZHENGTIME: Mon 11.00 - 12.00TUTOR: Wan XingRead more about Wan here.Wan Xing, a visionary zheng musician from Hong Kong, weaves tradition with innovation as an artist, curator, and educator. She invites you to step into her world and experience the zheng up close. She will demonstrate the essence of this ancient Chinese instrument, its basic techniques, signature melodies from different regions of China and the similarities and differences between zheng and harp. Joining with Eleanor Dunsdon, they will demonstrate how to blend Chinese, Scottish and Irish music.For venue accessibility information click here.
George Watson's College Workshops
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THE STOPPED STYLE FOR ALL HARPSTIME: Mon 11.00 - 12.00TUTOR: Bill TaylorRead more about Bill here.We all know that the strings ring on all harps. Playing in ‘the stopped style’ offers a fingernail method using damping techniques both to clarify the melody and to cleanly execute ornamentation. Historically, we find that, since the Middle Ages, all kinds of harps used damping techniques for hundreds of years. Come to this participatory workshop and learn from the wisdom of the ancients.You are welcome to bring a harp to the Workshop.Supported by Wire Branch of the Clarsach SocietyFor venue accessibility information click here.
George Watson's College Workshops
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ELECTRO-CHROMATIC HARPTIME: Tue 11.00 - 12.00TUTOR: Laura PerrudinRead more about Laura here.Drawing on her experience as a harpist, composer and improviser, Laura will explore how technology, custom harp modifications, and innovative playing techniques can expand the expressive range of the electro-chromatic harp. This session is designed for harpists interested in discovering new directions for the instrument and exploring the future of harp performance through technological innovation.Supported by Northumbrian Branch of the Clarsach SocietyFor venue accessibility information click here.
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PERCUSSION AND POP-ARRANGING FOR HARPTIME: Tue 11.00 - 12.00TUTOR: Amy TurkRead more about Amy here.Extend your harp's sonic potential and become a one-harp band! Join Amy in exploring percussive and extended harp techniques that anyone can learn and find out how to incorporate these into your playing. Through a series of well-known pop songs, Amy will guide you through her percussive techniques and show you how to recreate the sounds that you hear in your favourite songs, and also use these to create new music.You are welcome to bring a harp to the Workshop.For venue accessibility information click here.
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GAELIC SINGINGTIME: Tue 11.00 - 12.00TUTOR: Calum MacleodRead more about Calum here.Did you know our Technical Manager is also an award-winning Gaelic singer and clarsach player? Join Mòd Gold Medallist Calum as he teaches you some of his favourite Gaelic songs. Open to Gaelic beginners and learners, and non-harp players.Supported by Argyll Branch of the Clarsach SocietyFor venue accessibility information click here.
George Watson's College Workshops
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